The Medea Project: MAZE, Life on the Swerve

Authors

  • Nancy S. Rabinowitz
  • Rhodessa Jones
  • Fe Bongolan
  • Angela Wilson
  • Theresa Dickinson
  • Lisa Frias
  • Pamela Peniston

DOI:

https://doi.org/10.18422/76-2100

Abstract

The Medea Project: Theater for Incarcerated Women/HIV Circle is a San Francisco institution with an international reputation. The group is made up of formerly incarcerated women, women living with HIV, theater professionals and community women. Founded in 1989 by Rhodessa Jones, based on Jones’ workshops in the San Francisco county jail, Medea Project productions have often used ancient myth as the framework for their modern shows. In the jails, in the clinic for women living with HIV, and in community settings, Rhodessa starts by asking participants to write in response to questions she asks; in some cases, she tells one of the old stories—the “classic” stories—and then asks the women to make connections between these stories and their own lives. Together, they then create a piece for public performance.

Author Biographies

Nancy S. Rabinowitz

Nancy Sorkin Rabinowitz is Professor Emerita of Comparative Literature at Hamilton College. She is the author of Anxiety Veiled: Euripides and the Traffic in Women (1993, Cornell) and Greek Tragedy (2008, Blackwell), as well as the co-editor of five others. Among her current projects are “Queering the Past(s),” an international interactive digital book that uses ancient material to support high school teachers in presenting a queer-friendly curriculum; and “Nudging the Memory,” an autobiographical theater handbook, co-written with Rhodessa Jones, Director of the Medea Project: Theater for Incarcerated Women/HIV Circle.

Rhodessa Jones

Rhodessa Jones is a solo performer (Lily Overstreet, Big Butt Girls) as well as founder and Director of the Medea Project, Theater for Incarcerated Women/HIV Circle. She often uses ancient stories as the basis for performances, for instance, Reality Is Just Outside the Window (1992, Medea); Food Taboos in the Land of the Dead (1993, Persephone); A Taste of Somewhere Else: A Place at the Table (1994, Sisyphus), Slouching towards Armageddon: A Captive’s Conversation/Observation on Race (1999, Pandora) and Can We Get There by Candlelight? (2002, Inanna), and MAZE: Life on the Swerve (2024, 2025, Minotaur).

Fe Bongolan

Fe Bongolan has been an actor, writer, dramaturg and long-standing core member of The Medea Project: Theater for Incarcerated Women/HIV Circle since 1992.

Angela Wilson

Angela Wilson is a formerly incarcerated mother, Glama, writer, actress, and teacher; she has been stage/production manager, activist and core member of The Medea Project: Theatre for Incarcerated Women/HIV Circlesince her final release in 1999 from San Francisco County Jail. Angie is currently studying at SF State for her Masters in Theater Arts. 

Theresa Dickinson

Theresa Dickinson has studied at Harvard College, followed by dance training with Leon Fokine, Graham technique in Paris and New York, and and study at the Merce Cunningham studio. Her performance history includes work with the Twyla Tharp Co., Tumbleweed Dance Collective, Drugie Studio Poland, work on Contact Improvisation, and with the Medea Project. She is a Professor at the New College of California, and lives in San Francisco with her two sons. Theresa is a recipient of a National Endowment for the Arts Choreographer’s Grant.

Lisa Frias

Lisa Frias is a core member of the Medea Project, and has been with the company since 1995, as a choreographer, actor, writer and musician. Additionally, she is a solo performance artist, with works including Gratitude (directed by Rhodessa Jones) and her current work in progress, Project Room 31. She has taught dance to middle schoolers for 23 years.

Pamela Peniston

Pamela S. Peniston has designed sets for theater, dance and television and created computer graphics in New York City, Chicago and Atlanta. Since moving to San Francisco, Pamela designed and painted for more than 25 companies in the Bay Area, among them: Magic, The Willows, Brava, ACT, Theater Rhino, and Stanford University, and is proud to continue working with Rhodessa Jones on her various projects as a designer and collaborator.

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Published

2025-02-06

How to Cite

Rabinowitz , N. S., R. Jones, F. Bongolan, A. Wilson, T. Dickinson, L. Frias, and P. Peniston. “The Medea Project: MAZE, Life on the Swerve”. New American Studies Journal: A Forum, vol. 76, Feb. 2025, https://doi.org/10.18422/76-2100.

Issue

Section

Interviews and Selected Chapters