Science, Poetry and ‘The History of Natural History’

A Conversation with Brandon Kilbourne

Authors

  • Brandon Kilbourne
  • Sarah Vincent

DOI:

https://doi.org/10.18422/78-2702

Keywords:

Science Poetry, Natural History, Repatriation, More-than-Human Perspectives, Cave Canem

Abstract

While poetry and science are often perceived as very different, a closer look reveals that these two fields interact, inform and reshape one another in many ways. In this interview, Brandon Kilbourne discusses how his work as an evolutionary biologist, particularly his work at the Museum für Naturkunde in Berlin, has shaped his poetry. He notes that specimens found in museums hold tales of the more-than-human world in deep time. By including these in his poetry, he creates an awareness of the fact that the stories of the planetary system began long before humans existed and will continue long after we cease to exist. However, Dr. Kilbourne also notes the importance of drawing attention to the complex colonial histories of these specimens. Building on this, he explains how discussions of restitution and repatriation in the museum have inspired his writing. Reflecting on his time abroad, he also touches upon how coming into contact with different cultures has influenced his poetry and given him a new perspective on how poetry can cultivate cultural sensibility.

Author Biographies

Brandon Kilbourne

Brandon Kilbourne is a Cave Canem Fellow, a Pushcart-nominated poet, and a biologist, whose work has appeared in Poet LoreObsidianEcotoneTerrain.orgWest Trade ReviewSplit Rock Review, and numerous other literary journals. Writing poems intertwined with natural history, he has given readings at conferences on entomology, natural history, and paleontology in the United States, the United Kingdom, and Canada. Born in Louisiana, he earned his BS in Biological Engineering at Louisiana State University before earning his PhD in Evolutionary Biology at the University of Chicago. Having worked more than twenty years in natural history, he has worked at museums in Denver, Chicago, and Berlin and with collections across the globe. Throughout his career his scientific studies on locomotion in mammals, dinosaurs, and birds have appeared in such journals as Evolution and Science Advances, and in these research fields he has received support from the German Research Foundation and the National Science Foundation. In 2014-2015, he was a College for Life Sciences Fellow at the Berlin Institute for Advanced Study, where he also first started to seriously pursue poetry. In 2024, he was Artist-in-Residence in the School of Veterinary Medicine at Louisiana State University. His first poetry collection, Natural History, won the 2025 Cave Canem Prize and will be published in autumn 2025 by Graywolf Press. Brandon Kilbourne ©Jamila K. Grote

photo credit ©Jamila K. Grote

Sarah Vincent

Sarah Vincent holds an M.A. in Comparative Literature from the University of Göttingen, where she currently works as an external lecturer. Her teaching centers around the relationship between literature and science (particularly geology), Anglophone and German poetry, and ecocriticism. She is a member of the research group on “Spatial Studies and Environmental Humanities” at Tampere University and is currently researching the potential of geopoetics as a theoretical framework for analyzing poetry.

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Published

2026-04-10

How to Cite

Kilbourne, Brandon, and Sarah Vincent. “Science, Poetry and ‘The History of Natural History’: A Conversation With Brandon Kilbourne”. New American Studies Journal: A Forum, vol. 78, Apr. 2026, doi:10.18422/78-2702.